لَهَبٍ وَتَبَّ: Tanween (Two Kasrs ) is followed by ( و) Idgham with Ghunnah – Insert Tanween into Waw with Gunnah.
Idgham with Ghunnah occurs in Four letters ( و – ى – ن – م) if Noon Sakinah or Tanween is folloed by any one of them The rule be Idgham with Ghunnah.
وَتَبَّ: Qalqalah in (ب) , There are five Qalqalah Letters ( ق – ط- ب- -ج – د ) .
مَا أَغْنَى :Madd Munfasel 4 o 5 Harahs.
عَنْهُ: Ithaar Halqe because Tanween is followed by Haa – It means to pronoun Tanween Clearly in Tajweed six Ithaar Halqe Letters ( ء – ه -ع – ح -غ – خ ).
مَالُهُ : Madd Selah Saghrah two Haraks because (ــه) Ha Salah is not followed by Hamzah. like ( هو) .
نَارًا ذَاتَ: IKhfaa Haqeqe For Tanween , In Ikhfaa ( Tanween ) is not pronounced , only Ghunnah is pronounced, There are 15 letters for Ikhfaa and ذ one of these letters,.
حَمَّالَةَ: Read ( م) with Shaddah Two Haraks.
حَبْلٌ : Qalqalah in (ب).
حَبْلٌ مِنْ مَسَدٍ: Idgham with Ghunnah because Tanween and Noon Sakinah are followed by ( م)
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Instructions: Answer the following questions in two to three sentences, drawing only from the provided source context.
1. Define the rule of Madd Munfasel and state its required duration.
2. What is Idgham with Ghunnah, and which four letters cause this rule to be applied to a preceding Noon Sakinah or Tanween?
3. Explain the rule of Qalqalah and list the five letters associated with it.
4. Describe the rule of Ithaar Halqe and identify the letters that trigger it.
5. What is Madd Selah Saghrah and under what specific condition is it applied?
6. Explain how Tanween is pronounced when the rule of IKhfaa Haqeqe is applied.
7. Identify and briefly explain the Tajweed rule applied to the word أَبِي.
8. According to the text, what rule is applied to the word مَالُهُand why?
9. In the phrase لَهَبٍوَتَبَّ, why is the rule of Idgham with Ghunnah applied?
10. Identify the two instances of Qalqalah mentioned in Surah Al Masad and the letter involved.
Answer Key
1. Madd Munfasel is a rule where an Alif Madd is lengthened for four or five vowel counts, or Haraqahs. This rule is applied in the source to the words يَدَا and مَا أَغْنَى.
2. Idgham with Ghunnah is the rule where a Noon Sakinah or Tanween is inserted into the following letter with Ghunnah (a nasal sound). The four letters that trigger this rule are و (Waw), ى (Yaa), ن (Noon), and م (Meem).
3. Qalqalah is a specific sound articulation applied to five letters. The five Qalqalah letters are ق (Qaf), ط (Taa), ب (Baa), ج (Jeem), and د (Dal).
4. Ithaar Halqe means to pronounce the Tanween clearly. This rule is applied when a Tanween is followed by one of the six Ithaar Halqe letters: ء (Hamzah), ه (Haa), ع (Ayn), ح (Haa), غ (Ghayn), or خ (Khaa).
5. Madd Selah Saghrah is a lengthening of two Haraks (vowel counts). It is applied to the letter ــه (Ha Salah) when it is not followed by a Hamzah.
6. When the rule of IKhfaa Haqeqe is applied, the Tanween is not pronounced. Instead, only the Ghunnah (nasal sound) is pronounced.
7. The Tajweed rule applied to the word أَبِيis Madd Tapyyia, also known as Natural Madd. This rule requires the Yaa to be lengthened for two Haraks.
8. The rule applied to مَالُهُis Madd Selah Saghrah, which is lengthened for two Haraks. This is because the ــه (Ha Salah) in the word is not followed by a Hamzah.
9. In the phrase لَهَبٍ وَتَبَّ, Idgham with Ghunnah is applied because the Tanween (Two Kasrs) on the letter Baa is immediately followed by the letter و (Waw), which is one of the four letters of Idgham with Ghunnah.
10. The source mentions Qalqalah on the letter ب (Baa) in three words: وَتَبَّ, كَسَبَ, and حَبْلٌ.
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